Sf opera in the ballpark
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You can find many wonderful opera performances on the internet, and DVD sales should let you see the performances upclose and personal in ways that you would never experience in a real opera house unless you paid hundreds of dollars. As I mentioned during the discussion about Google TV, I’m pretty sure that the majority of media, including television, will and should move online. I spend a lot my time online and I get the majority of my content from net sources.
![sf opera in the ballpark sf opera in the ballpark](https://cdn.sfstation.com/assets/images/events/0236/2362056/1536522078-2362056a_orig.jpg)
![sf opera in the ballpark sf opera in the ballpark](https://cdn.sanity.io/images/c1chvb1i/production/73e1529c56df838e45b206bc6c1ad0edf612a88c-1100x735.png)
I don’t just write for the internet, I’m also a member.
#Sf opera in the ballpark free
Are people simply enticed by the free product and the novelty, or is there something about watching classic art with a crowd that simply refuses to die? Also, in a society that increasingly wants its entertainment on-demand and in the comfort of their homes, the choice to watch opera in a baseball stadium stands out. It’s a great example of how technology can affect even very traditional art forms. Yet economics aside, the SF Opera success at the ballpark has fascinated me for completely different reasons. According to the Wall Street Journal, the SF Opera has been able to track new ticket sales generated by the simulcasts and found them to be around $880k in total, which more than covers costs ($800k). Those who wish to get into the ballpark early have to register and provide contact information. The SF Opera’s rendition of Aida will be free for all attending, yet the company reports that they hope to make money off the event. This Friday will mark the fifth time that the San Francisco Opera simulcasts its performance to AT&T Park, home of the San Francisco Giants baseball team. Garlic fries and Sopranos are a powerful combination. And so all of those things come colliding together on September 21st with Romeo and Juliet.The SF Opera expects 30,000 at their upcoming simulcast event in a ballpark. And then the third element, of course, is the Giants’ schedule, and can we find a date that works for the Opera and for the Giants. The second thing is the weather, and of course we want this to be a beautiful evening, which really means that our simulcasts for our season are either in June or the very beginning of our season in September.
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It has to be a title or music that people feel very connected to, and Romeo and Juliet certainly has that going for it. Shilvock says there are several key factors to consider when planning the night out. Since they move to the ballpark the following year, the audience has grown each year, now up to about 30,000. There’s really nothing quite like it.” The first simulcast, only as far as Civic Center Plaza in 2006, drew about 8,000 spectators. It’s just amazing to see the families, the young people, people of all parts of the city coming together and just enjoying this beautiful music under the stars. And all of the energy of a ballgame, and amidst that you have this beautiful music emerging out of the ballpark stadium in the night air. “You get to see it on your own terms, in a venue that’s beloved by the community of San Francisco, with garlic fries and beer. “There are no barriers at the ballpark in terms of how you can access this art form,” he says. There’s more information about the free event at the San Francisco Opera website.